”Why should I not publish my diary? I have often seen reminiscences of people I have never even heard of, and I fail to see - because I do not happen to be a `Somebody' - why my diary should not be interesting.”
The Diary of a Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to be seen as the epitome of English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son.
The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency. Both celebration and critique, The Diary of a Nobody has often been imitated, but never bettered. This edition features Weedon Grossmith's hilarious illustrations and is complemented by an enjoyable introduction discussing the book's social background and suburban fiction as a genre.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The German modernist Bertolt Brecht based his epic play The Mother (1932) on Gorky's novel of the same name. Gorky's novel was also adapted for an opera by Valery Zhelobinsky in 1938. In 1912, the Italian composer Giacomo Orefice based his opera Radda on the character of Radda from Makar Chudra.
About the Author
George Grossmith (9 December 1847 – 1 March 1912) was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades. As a writer and composer, he created 18 comic operas, nearly 100 musical sketches, some 600 songs and piano pieces, three books and both serious and comic pieces for newspapers and magazines.
Grossmith is best remembered for two aspects of his career. First, he created a series of nine memorable characters in the comic operas of Gilbert and Sullivan from 1877 to 1889, including Sir Joseph Porter, in H.M.S. Pinafore (1878), the Major-General in The Pirates of Penzance (1880) and Ko-Ko in The Mikado (1885–87). Second, he wrote, in collaboration with his brother Weedon, the 1892 comic novel The Diary of a Nobody.
Grossmith was also famous in his day for performing his own comic piano sketches and songs, both before and after his Gilbert and Sullivan days, becoming the most popular British solo performer of the 1890s. Some of his comic songs endure today, including "See Me Dance the Polka". He continued to perform into the first decade of the 20th century. His son, George Grossmith, Jr., became a famous actor, playwright and producer of Edwardian musical comedies.
Our Father is the title given to Gorky's The Last Ones in its English translation by William Stancil. The play made its New York debut in 1979 at the Manhattan Theater Club, directed by Keith Fowler.
Enemies by Gorky was performed in London, 1984 with a multi-national cast in a co-production between Internationalist Theatre and director Ann Elizabeth Pennington, designed by Paul Brown. The BBC Russian language service gave the production glowing reviews. SA Greek actress Angelique Rockas and Bulgarian Madlena Nedeva played the parts of Tatiana, and Kleopatra respectively.
|Compatibil cu:||iPhone, iPad, Android, Windows Phone, Kindle|
|Dimensiunea Fișierului:||1-2 MB|
|Compatibil cu Kindle:||Da|