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‘She had been forced into prudence in her youth, she learned romance as she grew older: the natural sequel of an unnatural beginning.’
Written at the end of the Napoleonic Wars, Persuasion is a tale of love, heartache and the determination of one woman as she strives to reignite a lost love.
Anne Elliot is persuaded by her friends and family to reject a marriage proposal from Captain Wentworth because he lacks in fortune and rank. More than seven years later, when he returns home from the Navy, Anne realises she still has strong feelings for him, but Wentworth only appears to have eyes for a friend of Anne’s.
Moving, tender, but intrinsically ‘Austen’ in style, with it’s satirical portrayal of the vanity of society in eighteenth-century England, Persuasion celebrates enduring love and hope.
Anne Elliot, heroine of Austen's last novel, did something we can all relate to: Long ago, she let the love of her life get away. In this case, she had allowed herself to be persuaded by a trusted family friend that the young man she loved wasn't an adequate match, social stationwise, and that Anne could do better. The novel opens some seven years after Anne sent her beau packing, and she's still alone. But then the guy she never stopped loving comes back from the sea. As always, Austen's storytelling is so confident, you can't help but allow yourself to be taken on the enjoyable journey. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Starred Review. Stevenson has read all of Austen's novels for audiobook, in abridged or unabridged versions, and her experience shows in this delightful production. Though dominated by the intelligent, sweet voice of Anne Elliot—the least favored but most worthy of three daughters in a family with an old name but declining fortunes—Stevenson provides other characters with memorable voices as well. She reads Anne's haughty father's lines with a mixture of stuffiness and bluster, and Anne's sisters are portrayed with a hilariously flighty, breathy register that makes Austen's contempt for them palpable.
Anne's voice is mostly measured and reasonable—an expression of her strong mind and spirit—but Stevenson imbues her speech with wonderful shades of passion as Anne is reacquainted with Capt. Wentworth, whom she has continued to love despite being forced, years before, to reject him over status issues. Listening to Stevenson, as Anne, describe a sudden encounter with Wentworth, one hardly needs Austen's description of how Anne grows faint—Stevenson's perfectly judged and deeply felt reading has already shown that she must have.
Even those who have read Austen's novels will find themselves loving this book all over again with Stevenson's evocative rendition ringing richly in their ears. (Apr.) --This text refers to the Audio CD edition.
About the Authors
Though the domain of Jane Austen's novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family's entertainment. As a clergyman's daughter from a well-connected family, she had an ample opportunity to study the habits of the middle class, the gentry, and the aristocracy.
At twenty-one, she began a novel called "The First Impressions" an early version of Pride and Prejudice. In 1801, on her father's retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of Northanger Abby to a London publisher, but the first of her novels to appear was Sense and Sensibility, published at her own expense in 1811. It was followed by Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815). After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers.
Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote Persuasion and revised Northanger Abby, Her last work, Sandition, was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral.
Austen's identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of Northanger Abby and Persuasion in 1818.